1/21/2024 0 Comments Replacement cabel tapedeck bazooka![]() With the advanced noise reduction and Nakamichi's quality build I agree going into the red for an occasional peak is OK. I prefer the bar type meters to show true peak levels as cassette tape can't handle the dynamics and high frequencies as well as R2R machines did. It all depends on the ballistics of the meters, the type of tape and the quality of your machines. Generally I find a little audible background hiss to be better than crushing 80% of the content into high frequency saturation and the resultant loss of clarity and detail that follows that practice of constantly pressing "into the red". Read: How will this recording play for the listener? ![]() Dynamic range and high frequency detail largely guide my record level decision, also the relative perceived loudness of selections when culled from various sources. A true "VU" meter has specific characteristics that are rarely found or translate across signal meters on different tape decks. Internal levels will be critical for proper Dolby noise reduction system tracking.īut I don't focus heavily on signal meters where music is concerned. Become aware of any systemic issues then repair or compensate for them. I send the 400 Hz tone from a Nakamichi 581 when setting duplication levels even between other decks. I used to be able to record on these tapes well into the red.Īs has been said, recording in mono is a good method to discover channel imbalances. On the other extreme, TDK used to make a tape called an AD-X, a normal bias tape with a layer of their high bias (Super Avliyn?) material as well. I used to use some BASF Chrome (real chrome) tapes, you could not record very loud on these at all, but their low noise floor made that superfluous. Maximum level depends on the tape type and the manufacturer. Easier to do with a 3-head deck rather than a 2-head. Try thinking of "When I'm 64 by the Beatles", vocals into one channel, pretty much everything else in the other channel.Īs for where the meters should go, experiment with levels until your hear distortion, then back off. If this it true, then you don't need to adjust the balance when you record, as you will be un-doing what the original artists or recording engineers have done. Odds on, both meters will be doing the same. As someone suggested above, use a Y-cable to feed one channel from the source into both channels of the cassette deck. Stereo music often has one channel either louder than the other, or there is a certain instrument(s) and/or vocals that make one channel appear louder on the meters.
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